00:00   Streets filled with noise / each person controlling a machine

00:38  Impact resonance

01:07  Interior / Exterior Reversal

05:03  Timelapse Collision

07:50  Migratory path to massacre

13:45  Radio tuned to the frequency of human coordinates

17:47  Full identity removal / the movie theaters on fire

18:53  Sexuality pending survival

22:15  Paris en flames vive Paris

23:27  The risk is part of the rhythm  

26:30  Life with regret

27:02  Rebuilding the house

30:44  Footsteps of the silent armies

36:07  Requiem for the permanent midnight

40:52 Preparation for the coming white days / we are asleep in the arms of the machines

42:32 Full Collapse on impact.

1 week.

“There are definitely going to be at least a few fans that are like, ‘This isn’t what I want from Thursday,’” frontman Geoff Rickly tells SPIN. “Half the reason we picked the album title is because it means, in Spanish, ‘no returns.’ As in, ‘No returns, cause if you buy it, you got it!’”

Among the touchstones for the creative direction of No Devolución: the Cure, the Smiths, Portishead, postmodern authors Cormac McCarthy (All the Pretty Horses) and Don Delillo (White Noise), and even their home state hero, Bruce Springsteen. The sum of these parts: a record produced with the mantra “to make something really beautiful, that has power in a different way than just being heavy,” Rickly says, and it’s something the band’s longed to do since 2003’s War All the Time.

Funny how Thursday evolve in much the same way my taste in modern music has. 

Thursday    Arc-Lamps, Signal Flares, a Shower of White (The Light)

The atmosphere of this song reminds me of the end of Catcher in the Rye.